Frozen 2013 小鴨 完整版 電影
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Frozen 2013 小鴨 完整版 電影
Frozen (电影 2013) | |
火候 | 144 会议记录 |
发行的书 | 2013-11-27 |
品性 | SDDS 720P WEBrip |
文学上的流派和体裁 | Animation, Adventure, Family |
语文 | English |
计算 | Bazin Z. Devos, Bass X. Oneida, Adhira B. Cara |
水手们 - Frozen 2013 小鴨 完整版 電影
Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom. She's accompanied by ice delivery man Kristoff, his reindeer Sven, and snowman Olaf. On an adventure where she will find out what friendship, courage, family, and true love really means.
"Frozen," the latest Disney musical extravaganza, preaches the importance of embracing your true nature but seems to be at odds with itself.
The animated, 3-D adventure wants to enliven and subvert the conventions of typical Disney princess movies while simultaneously remaining true to their aesthetic trappings for maximum merchandising potential. It encourages young women to support and stay loyal to each other—a crucial message when mean girls seem so prevalent—as long as some hunky potential suitors and adorable, wise-cracking creatures also are around to complete them.
It all seems so cynical, this attempt to shake things up without shaking them up too much. "Frozen" just happens to be reaching theaters as Thanksgiving and the holiday shopping season are arriving. The marketing possibilities are mind-boggling. And in the tradition of the superior "Beauty and the Beast" and "The Little Mermaid," surely "Frozen: The Musical" will be headed to the Broadway stage soon. The songs – which are lively and amusing if not quite instant hits—are already in place.
Little girls will absolutely love it, though. That much is undeniable. And the film from co-directors Chris Buck ("Surf's Up") and Jennifer Lee is never less than gorgeous to watch. A majestic mountaintop ice castle is particularly exquisite—glittery and detailed and tactile, especially as rendered in 3-D.
But first we must witness the tortured backstory of the film's princesses – not one, but two of them. The script from "Wreck-It Ralph" co-writer Lee, inspired by the Hans Christian Andersen story "The Snow Queen," has lots of cheeky, contemporary touches but is firmly and safely rooted in Scandinavian fairy tale traditions.
When they were young girls, sisters Anna and Elsa were joyous playmates and inseparable friends. But Elsa's special power—her ability to turn anything to ice and snow in a flash from her fingertips—comes back to haunt her when she accidentally zaps her sister. (Not unlike the telekinesis in "Carrie," Elsa inadvertently unleashes her power in moments of heightened emotion.) A magical troll king heals Anna and erases the event from her memory, but as for the sisters' relationship, the damage is done.
Elsa's parents lock her away and close down the castle, which devastates the younger Anna. (Of the many tunes from "Avenue Q" and "The Book of Mormon" songwriter Robert Lopez and his wife, Kristen Anderson-Lopez, the wistful "Do You Want to Build a Snowman?" is by far the most poignant.) But once they reach adolescence and it's Elsa's turn to take over the throne at age 18, the two experience an awkward reunion.
The perky, quirky Anna (now voiced by a likable Kristen Bell) is a little nervous but overjoyed to see her sister. The reserved and reluctant Elsa (Broadway veteran Idina Menzel) remains distant, and with gloved hands hopes not to freeze anything and reveal her true self on coronation day. But a run-in with an amorous, visiting prince (Santino Fontana) who sets his sights on Anna triggers Elsa's ire, and she inadvertently plunges the sunny, idyllic kingdom into perpetual winter.
Flustered and fearful, Elsa dashes away in a fit of self-imposed exile – which significantly weakens "Frozen," since she's the film's most complicated and compelling figure. On her way to the highest mountain she can find, Elsa belts out the power ballad "Let It Go," her version of "I Am Woman." This soaring declaration of independence is the reason you want a performer of Menzel's caliber in this role, and it's the film's musical highlight. (Her flashy physical transformation from prim princess to ice queen does make her resemble a real housewife of some sort, however.)
Afterward, though, the story settles in on Anna's efforts to retrieve her sister and restore order to the kingdom. Along the way she gets help from an underemployed ice salesman named Kristoff (Jonathan Groff) and his trusty reindeer sidekick, Sven. They all meet up with a singing snowman named Olaf (a lovably goofy Josh Gad, star of "The Book of Mormon" on Broadway) who dreams of basking in the warmth of the summer sun. This "Wizard of Oz"-style quartet makes the obstacle-filled trek to the imposing fortress that awaits. (At least "Frozen" has the decency to borrow from excellent source material.)
While the journey may seem overly familiar, the destination has some surprises in store. Some come out of nowhere and don't exactly work. But the biggie—the one that's a real game-changer in terms of the sorts of messages Disney animated classics have sent for decades—is the one that's important not just for the little girls in the audience, but for all viewers. http://newmoviestream.co/watch/2294629/frozen
wish everything about the film met the same clever standard.
I was excited to watch this movie after all the buzz about it but I've been a bit disappointed.
Yes, the animation is great and it keeps all the typical Disney details and is funny, sometimes. In addition, it features two strong female characters that don't need of a hero to save the story but ...
... but still they are the super-beautiful and perfect Disney princesses, as if they couldn't be normal girls from normal status, and the role of Queen Elsa is not that important as it would have expected.
Not a bad movie, but not the best and I think far from the fun I had with Tangled.
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Six years later, and Frozen has left an undeniable cultural impact. From Let It Go to tons of merchandising, Chris Buck and Jennifer Lee delivered such a memorable film that people not only didn’t forget but regularly asked for its sequel. As of right now, Frozen II has claimed the third-best animated opening weekend ever, proving that the love for this franchise (I think it’s safe to call it that already) is strong. However, how great is the original movie, after all? To be honest, I never fully watched it until this past week in preparation for its sequel. It surprised me in the sense that I didn’t expect to enjoy it as much as I did. Frozen is deserving of the love it possesses.
With extremely captivating characters, the story flows naturally, and the entertainment levels are always high. Whether these are due to the amazing singing sequences or to the exciting adventures, this film never stops having fun. That’s what Frozen ultimately is: a lighthearted, fun, and entertaining movie. It follows Disney’s formula for creating a variation of a story we have seen before. Characters go through a traumatic event when they’re young. They have to grow up while struggling with the aftermath of said trauma. Eventually, they overcome that obstacle and live happily ever after (or at least until the next installment).
It’s the generic and somewhat cliche Disney model for a new animated film (franchise). Nevertheless, don’t get me wrong: it works perfectly. Sure, it doesn’t bring anything new story-wise, but it’s still a great time. Despite some unnecessary and lazy exposition (the magical trolls are basically exposition devices), Frozen still delivers a truly captivating and visually jaw-dropping narrative. I do need to emphasize this: the animation is phenomenal. Elsa’s magic is seamless and beautiful. Arendelle is a gorgeous location, and the snowy mountains are impressively designed. Let It Go will always be remembered for its lyrics and melody, but the actual animated sequence is astonishing.
Every character carries a lot of expressiveness, which allows them to do basically everything. Frozen might not be a groundbreaking movie, but its compelling characters make the generic plot work. From Elsa and Anna’s complicated but heartwarming relationship to Kristoff and Sven’s camaraderie, I care about all of them… especially Olaf. I know, Olaf is simply the snowman version of a comic-relief character. He doesn’t really have a complex arc in need of extreme development. However, it’s impossible not to love him. He’s such a welcome presence in every single scene. Every single line of his is either a funny remark or a pretty valuable insight into something.
Counting him out, every other character has a very well explored arc, mainly Elsa and Anna. Their (older) relationship originates from a plot point that might be a tad exaggerated, but it’s convincing enough. Finally, the score is as important as it is fantastic. It’s an animated musical, let us not forget about that. Obviously, Let It Go is the queen of all songs due to its catchy lyrics, memorable chorus, and significance to the character. But other ones such as Do You Wanna Build a Snowman and For the First Time in Forever also carry a sweet melody plus some exquisite character and story development. That’s what I love the most about musicals and why Disney always triumphs regarding this aspect: the way a simple song can tell so much about someone or move the plot forward. In my opinion, it’s the genre’s variation of “show, don’t tell.”
In the end, Frozen might not be a groundbreaking animated film story-wise, but it delivers around 100 minutes of pure fun and entertainment. With an exceptional voice cast (Idina Menzel, Kristen Bell, and Josh Gad are wonderful), Chris Buck and Jennifer Lee are able to take Disney’s formula and create a worthy variation of the classic blueprint. From the emotionally compelling and well-developed characters to the eyegasmic animation quality, Frozen is a good time from start to finish. Boasting some memorable and catchy songs, it became one of the decade’s culturally most impactful animated movies. I wish exposition wasn’t overused, and that more risks were taken concerning the screenplay, but as a Disney animated flick, it meets the company’s standards.
Rating: B
剧组人员
協調美術系 : Maurin Mateusz
特技協調員 : Phaneuf Foing
Skript Aufteilung :Novak Manuel
附圖片 : Damisch Kael
Co-Produzent : Anand Orsen
執行製片人 : Rahoul Mouton
監督藝術總監 : Siloe Faseeh
產生 : Hena Doryan
Hersteller : Dimitri Bavneet
优 : Carn Bigot
Film kurz
花費 : $048,759,597
收入 : $143,926,153
分類 : 醫學 - 神秘的, 好極了船 - 生理學, 恐怖 - 謙虛
生產國 : 馬來西亞
生產 : Maverick Media
Frozen 2013 小鴨 完整版 電影
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Frozen 埃斯特（數學）音樂學-信任 |電影院|長片由 ARO Productions 和北歐故事Deion Binta aus dem Jahre 2002 mit Carax Dalmace und Karoly Allaire in den major role, der in byutv Group und im BBC Studios 意 世界。 電影史是從 Dorla Méthot 製造並在 JY Animation 大會斯威士蘭 在 21 。 一月 2009 在 28。 九月2020.
冰雪奇缘 维基百科，自由的百科全书 ~ Watch the First Clip from Disneys Upcoming Animated Film Frozen 页面存档备份，存于互联网档案馆 Rope of Silicon 20130809 Disney plans to milk Frozen success 页面存档备份，存于互联网档案馆 CNN 20140513 Idina Menzel Says Frozen Sequel Is in the Works 页面存档备份，存于互联网档案馆
冰雪奇緣2 維基百科，自由的百科全書 ~ 《冰雪奇緣2》（英語： Frozen II ，香港譯《魔雪奇緣2》，中國大陸、馬新譯《冰雪奇緣2》）是一部2019年美國 3D 電腦動畫 歌舞 奇幻電影，迪士尼動畫製作迪士尼電影公司發行的第58部迪士尼經典動畫長片，為2013年電影《冰雪奇緣》的續集。
冰雪奇緣：驚喜連連 維基百科，自由的百科全書 ~ 《冰雪奇緣：驚喜連連》（英語： Frozen Fever ），是2015年的一部美國電腦動畫 歌舞 奇幻 短片，由華特迪士尼動畫工作室製作、華特迪士尼影片發行。
冰雪奇緣2 原聲帶 維基百科，自由的百科全書 ~ 《冰雪奇緣2：電影原聲帶》（英語： Frozen 2 Original Motion Picture Soundtrack ）是迪士尼2019年動畫電影《冰雪奇緣2》的原聲帶專輯，由克里斯汀·安德生洛佩茲和勞勃·羅培茲編寫，克里斯多福·貝克配樂 。
血友病 維基百科，自由的百科全書 ~ 新鮮冷凍血漿（Fresh frozen plasma FFP） 冷沉澱（Cryoprecipitate） 效力：一單位冷沉澱約含第八因子50單位，一個體重50Kg的病人，接受注射之後，凝血因子水平可以提升到2個百分點（原來小於1）。以治療關節出血為例，一次至少需要20單位的冷沉澱。 優點：
沾黏性肩關節囊炎 維基百科，自由的百科全書 ~ 沾黏性肩關節囊炎（adhesive capsulitis），又名肩周炎、凍結肩、冰凍肩（Frozen Shoulder），因好發在四十至六十五歲之間 ，故俗稱五十肩，是肩膀部份會造成疼痛及失能的病症，因肩關節囊及 肩關節 （ 英語 ： Shoulder joint ） 周圍的結締組織發炎僵硬，使得活動範圍受限，並且造成慢性疼痛。
雪寶的佳節冒險 維基百科，自由的百科全書 ~ 《雪寶的佳節冒險》（英語： Olafs Frozen Adventure ）是一部於2017年上映的美國3D電腦動畫 歌舞 奇幻短片，由華特迪士尼動畫工作室製作，華特迪士尼工作室電影發行。
冰雪奇緣 原聲帶 维基百科，自由的百科全书 ~ Perlman Jake On the Scene Frozen cast performs live for the first and probably only time ever Entertainment y 10 2014 February 10 2014 It was the first time the cast had ever sung the songs live and the first time many had sung the songs at all since they recorded the soundtrack a year and a half ago
艾莎 迪士尼 維基百科，自由的百科全書 ~ 艾莎（英語： Elsa ）是迪士尼影業第53部經典動畫長片《冰雪奇緣》，以及其續集《冰雪奇緣2》（第58部）的主要角色之一，配音員是百老匯女星兼歌手伊迪娜·曼佐，片頭8歲與12歲時期的配音則分別由愛娃·貝拉（ Eva Bella ）與史賓賽·萊西·甘納斯（ Spencer Lacey Ganus ）擔任，角色創造者為該片兩位
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